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It used to be a rite of passage for American tourists to smuggle “Lady Chatterley’s Lover” past Customs, feeling terribly hip. Enter Pascale Ferran, a brilliant French filmmaker, to shake the dust off Lawrence’s most notorious novel. Today, after a pounding by feminist critics, the apostle of sensual joy has somewhat fallen off the radar.That Connie’s transformation converges with the spring awakening, in lyrical images alive with the forest’s sounds, might border on cheesy.While the scene of the lovers sticking posies in each other’s pubic hair might border on the ridiculous.When I read the second version, I had the feeling that everything that I would have to take out of the third, if I adapted it, Lawrence had already done in the second.It was as if he authorized me, actually said to me, ‘Take the second version and feel free to do what you want.’ It was very strange. Why all those short takes in the early part of the film.After an eleven year hiatus, following “Coming to Terms with the Dead” (awarded the Cannes Camera d’Or in 1994), and “The Age of Possibility” in 1995, Ferran has made good on the abundant promise of her earlier work.“Chatterley” has collected no fewer than five Cesar awards (French Oscar equivalent).

A paradox for me is that the film is both literary and very cinematic. I mean, Lawrence wrote his novel three separate times, and each time he wrote it in three months.

Marina Hands’ Constance, her life ebbing away at Clifford Chatterley’s side in his stately manor, conveys, after her encounters with Parkin, a woman reborn.

Hands is in practically every frame, and we discover this luminous actress as Connie discovers herself.

The candor of the six sex scenes (“How curious, it’s tiny now, like a little bud!

”) go against what Ferran terms the “currently ‘authorized’ representations of desire in cinema.” i W and Ferran discussed this topic and more when the filmmaker, a small woman with a great laugh and the look of a philosophy student, was in New York for the screening of “Lady Chatterley” at the Tribeca Film Festival. I discovered him very recently in a book, “On the Superiority of Anglo Saxon Literature.” Lawrence is underrated in France.

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